Ayn Rand : biography
The Fountainhead and political activism
During the 1940s, Rand became politically active. Both she and her husband worked full-time in volunteer positions for the 1940 presidential campaign of Republican Wendell Willkie. This work led to Rand’s first public speaking experiences, including fielding the sometimes hostile questions from New York City audiences who had just viewed pro-Willkie newsreels, an experience she greatly enjoyed. This activity also brought her into contact with other intellectuals sympathetic to free-market capitalism. She became friends with journalist Henry Hazlitt and his wife, and Hazlitt introduced her to the Austrian School economist Ludwig von Mises. Despite her philosophical differences with them, Rand strongly endorsed the writings of both men throughout her career, and both of them expressed admiration for her. Once Mises referred to Rand as "the most courageous man in America", a compliment that particularly pleased her because he said "man" instead of "woman".; ; Rand also developed a friendship with libertarian writer Isabel Paterson. Rand questioned the well-informed Paterson about American history and politics long into the night during their numerous meetings and gave Paterson ideas for her only nonfiction book, The God of the Machine.
Rand’s first major success as a writer came with The Fountainhead in 1943, a romantic and philosophical novel that she wrote over a period of seven years. The novel centers on an uncompromising young architect named Howard Roark and his struggle against what Rand described as "second-handers"—those who attempt to live through others, placing others above self. It was rejected by twelve publishers before finally being accepted by the Bobbs-Merrill Company on the insistence of editor Archibald Ogden, who threatened to quit if his employer did not publish it. While completing the novel, Rand was prescribed the amphetamine Benzedrine to fight fatigue. The drug helped her to work long hours to meet her deadline for delivering the finished novel, but when the book was done, she was so exhausted that her doctor ordered two weeks’ rest. Her continued use of the drug for approximately three decades may have contributed to what some of her later associates described as volatile mood swings.;
The Fountainhead eventually became a worldwide success, bringing Rand fame and financial security.; In 1943, Rand sold the rights for a film version to Warner Bros., and she returned to Hollywood to write the screenplay. Finishing her work on that screenplay, she was hired by producer Hal Wallis as a screenwriter and script-doctor. Her work for Wallis included the screenplays for the Oscar-nominated Love Letters and You Came Along.; This role gave Rand time to work on other projects, including a planned nonfiction treatment of her philosophy to be called The Moral Basis of Individualism. Although the planned book was never completed, a condensed version was published as an essay titled "The Only Path to Tomorrow", in the January 1944 edition of Reader’s Digest magazine.;
While working in Hollywood, Rand extended her involvement with free-market and anti-communist activism. She became involved with the Motion Picture Alliance for the Preservation of American Ideals, a Hollywood anti-Communist group, and wrote articles on the group’s behalf. She also joined the anti-Communist American Writers Association. A visit by Isabel Paterson to meet with Rand’s California associates led to a final falling out between the two when Paterson made comments that Rand saw as rude to valued political allies.; In 1947, during the Second Red Scare, Rand testified as a "friendly witness" before the United States House Un-American Activities Committee. Her testimony described the disparity between her personal experiences in the Soviet Union and the portrayal of it in the 1944 film Song of Russia. Rand argued that the film grossly misrepresented conditions in the Soviet Union, portraying life there as being much better and happier than it actually was. She wanted to also criticize the lauded 1946 film The Best Years of Our Lives for what she interpreted as its negative presentation of the business world, but she was not allowed to testify about it. When asked after the hearings about her feelings on the effectiveness of the investigations, Rand described the process as "futile".