Winifred Atwell

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Winifred Atwell : biography

27 April 1910 – 28 February 1983

When Atwell first came to Britain, she initially earned only a few pounds a week. By the mid-1950s, this had shot up to over $10,000. By 1952, her popularity had spread internationally. Her hands were insured with Lloyds of London for a £40,000 (the policy stipulating that she was never to wash dishes). She signed a record contract with Decca Records, and her sales were soon 30,000 discs a week. She was by far the biggest selling pianist of her time. Her 1954 hit, "Let’s Have Another Party", was the first piano instrumental to reach number one in the UK Singles Chart. She is the only holder of two gold and two silver discs for piano music in Britain, and was the first black artist in the UK to sell a million records. Millions of copies of her sheet music were sold, and she went on to record her best-known hits, including "Let’s Have a Party", "Flirtation Waltz", "Poor People of Paris" (which reached number one in the UK Singles Chart in 1956), "Britannia Rag" and "Jubilee Rag". Her signature "Black and White Rag" became famous again in the 1970s as the theme of the BBC snooker programme Pot Black, which also enjoyed great popularity in Australia when screened on the ABC network. It was during this period that she discovered Matt Monro and persuaded Decca to sign him.

Winifred Atwell’s peak was the second half of the 1950s, during which her concerts drew standing room only crowds in Europe and Australasia. She played three Royal Variety Performances, appeared in every capital city in Europe, and played for over twenty million people. At a private party for Queen Elizabeth II, she was called back for an encore by the monarch herself, who requested "Roll Out the Barrel". She became a firm television favourite. She had her own series in Britain. The first of these was Bernard Delfont Presents The Winifred Atwell Show. It ran for ten episodes on the new ITV network from 21 April to 23 June 1956, and the BBC picked up the series the following year. On a third triumphal tour of Australia, she recorded her own Australian television series, screened in 1960-1961. Her brilliant career earned her a fortune, and would have extended further to the U.S. but for issues of race. Her breakthrough appearance was to have been on The Ed Sullivan Show in 1956, but on arrival in America she was confronted with problems of selling the show in the south with a British-sounding black woman. The appearance was never recorded.

In 1955, Atwell arrived in Australia and was greeted as an international celebrity. Her tour broke box-office records on the Tivoli circuit, bringing in £600,000 in box office receipts. She was paid AUS$ 5,000 a week (the equivalent of around $50,000 today), making her the highest paid star from a Commonwealth country to visit Australia up to that time.

She toured Australia many times and took on Australian guitarist Jimmy Doyle as her musical director in the 1960s. Her popularity in Australia led to her settling in Sydney in the 1970s. She became an Australian citizen two years before her death.

Keith Emerson noted her influence on his playing in an interview: "I’ve always been into ragtime. In England- and I’m sure Rick Wakeman would concur- we loved Winifred Atwell, a fantastic honky-tonk and ragtime player."

Atwell was also a skilled interpreter of classical music. On 1 and 2 December 1954, at London’s Kingsway Hall, she made one of the first stereo classical recordings in the UK, with the London Philharmonic Orchestra conducted by Stanford Robinson, of a major repertoire work, the "Piano Concerto in A-minor, Op. 16", by Grieg. The two-channel version (engineered by Decca’s Roy Wallace) appears not to have been released, but a transfer of the Decca LP (mono) LF1206 has been produced and issued by Pristine Audio as an available download.

Later life

Atwell purchased waterside properties in Bilgola and Seaforth in Sydney, as jumping-off bases for her worldwide performance commitments. Enjoying the affection of the public, she was nevertheless keenly aware of prejudice and injustice and was outspoken about racism in Australia. She always donated her services in a charity concert on Sundays, the proceeds going to orphanages and needy children. She spoke out against the third world conditions endured by Australian Aborigines, which made headlines during an outback tour of the country in 1962. Dismissing racism as a factor in her own life, she said she felt she was "spoiled very much by the public." She left her estate to the Australian Guide Dogs for the Blind and a small amount to her goddaughter. However a cousin of Lew Levisohn contested Atwell’s will and is reported to have been granted $30,000 from her estate.