Richard Pryor : biography
In 1963, Pryor moved to New York City and began performing regularly in clubs alongside performers such as Bob Dylan and Woody Allen. On one of his first nights, he opened for singer and pianist Nina Simone at New York’s Village Gate. Simone recalls Pryor’s bout of performance anxiety
Inspired by Bill Cosby, Pryor began as a middlebrow comic, with material far less controversial than what was to come. Soon, he began appearing regularly on television variety shows, such as The Ed Sullivan Show and The Tonight Show Starring Johnny Carson. His popularity led to success as a comic in Las Vegas. The first five tracks on the 2005 compilation CD Evolution/Revolution: The Early Years (1966–1974), recorded in 1966 and 1967, capture Pryor in this era.
In September 1967, Pryor had what he called in his autobiography Pryor Convictions an "epiphany" when he walked onto the stage at the Aladdin Hotel in Las Vegas (with Dean Martin in the audience), looked at the sold-out crowd, exclaimed over the microphone "What the fuck am I doing here!?", and walked off the stage. Afterward, Pryor began working profanity into his act, including "nigger". His first comedy recording, the eponymous 1968 debut release on the Dove/Reprise label, captures this particular period, tracking the evolution of Pryor’s routine. Around this time, his parents died — his mother in 1967 and his father in 1968.
In 1967, his second child and first daughter, Elizabeth Ann, was born to his girlfriend Maxine Anderson. Later that year, he married Shelley Bonis. In 1969, his third child and second daughter, Rain Pryor, was born. Pryor and Bonis divorced later that year.
In 1969, Pryor moved to Berkeley, California, where he immersed himself in the counterculture and rubbed elbows with the likes of Huey P. Newton and Ishmael Reed. He signed with the comedy-oriented independent record label Laff Records in 1970, and in 1971 recorded his second album, Craps (After Hours). In 1973, the relatively unknown comedian appeared in the documentary Wattstax, where he riffed on the tragic-comic absurdities of race relations in Watts and the nation. Not long afterward, Pryor sought a deal with a larger label, and after some time, signed with Stax Records. His third, breakthrough album, That Nigger’s Crazy, was released in 1974 and Laff, who claimed ownership of Pryor’s recording rights, almost succeeded in getting an injunction to prevent the album from being sold. Negotiations led to Pryor’s release from his Laff contract. In return for this concession, Laff was enabled to release previously unissued material, recorded between 1968 and 1973, at will.
During the legal battle, Stax briefly closed its doors. At this time, Pryor returned to Reprise/Warner Bros. Records, which re-released That Nigger’s Crazy, immediately after …Is It Something I Said?, his first album with his new label. With every successful album Pryor recorded for Warner (or later, his concert films and his 1980 freebasing accident), Laff would quickly publish an album of older material to capitalize on Pryor’s growing fame—a practice they continued until 1983. The covers of Laff albums tied in thematically with Pryor movies, such as The Wizard of Comedy for his appearance in The Wiz, Are You Serious? for Silver Streak, and Insane for Stir Crazy. In the 1970s, Pryor wrote for such television shows as Sanford and Son, The Flip Wilson Show and a Lily Tomlin special, for which he shared an Emmy Award. During this period, Pryor tried to break into mainstream television. He was a guest host on the first season of Saturday Night Live and was the first black person to host the show. Pryor took longtime girlfriend, actress-talk show host Kathrine McKee (sister of Lonette McKee) with him to New York, and she made a brief guest appearance with Pryor on SNL. He participated in the "word association" skit with Chevy Chase.