Jack Chambers : biography
John "Jack" Chambers (March 25, 1931–April 13, 1978) was a Canadian artist and filmmaker. Born in London, Ontario, Chambers’ painting style shifted from surrealist-influenced to photo-realist. He began working with film in the 1960s, completing six by 1970. Stan Brakhage proclaimed Chambers’ The Hart of London as "one of the greatest films ever made."Brakhage, 123
Chambers spent eight years (1953–1961) studying and working in Europe after studying at H.B. Beal Secondary School and the University of Western Ontario. While in Europe he met Pablo Picasso, who suggested he continue his studies in Barcelona. He called his own work "perceptual realism,"Chambers, "Perceptual Realism", p. 34 a kind of surrealism based on his own dreams and memories and the existentialist philosophy of Maurice Merleau-Ponty. When he returned to London Chambers worked with fellow London native Greg Curnoe.Elder, p. 7 In 1969 he was diagnosed with leukemia. For the rest of his life he painted more realistically, often depicting sites in London and the surrounding area. An example of this is 401 Towards London No. 1 (1968–1969), a view of Highway 401 heading westward towards London.
In 1967 he founded Canadian Artists’ Representation (CARFAC), now a national organization of artists, after an argument with the National Gallery of Canada over reproduction rights and fees.
His work is in the collections of the National Gallery of Canada, the Art Gallery of Ontario, and Museum London. An elementary school Jack Chambers Public School (and the streets surrounding it) are named for him in London, and a tree was planted in his memory in Gibbons Park after his death.
The 2012 retrospective of his work at the Art Gallery of Ontario has helped introduce his ouvre to a new audience.http://www.themarknews.com/articles/8199-light-spirit-time-place-and-life
Still of The Hart of London (1970) Between 1964 and 1970, Chambers completed six films varying in length between nine minutes and 79 minutes. Working in both black and white and colour film, his works were montages dealing on the surface with his domestic life and images of London, Ontario. They were also examinations of the contrast between nature and society.Woodman, p. 46 Although for the most part peripheral to the history of avant-garde film, owing to his early death and reluctance to travel with his films for festivals,Elder, p. 2 Chambers’ filmography and in particular his feature-length film The Hart of London have become important within Canadian film history but have also grown in stature internationally.Brakhage, p. 123
- Mosaic (1964–65, black and white, sound, 9 min.)
- Hybrid (1966, colour, silent, 15 min.)
- Little Red Riding Hood (with Greg Curnoe and James Reaney) (1967, colour, sound, 25 min.)
- R-34 (1967, colour, sound, 30 min.)
- Circle (1968–69, colour/black and white, sound, 28 min.)
- The Hart of London (1968–70, colour/black and white, sound, 79 min.)
- C.C.C.I. (unfinished) (c.1970)
- Life Still (unfinished) (c.1970)
Films About Jack Chambers
- Chambers (Fraser Boa, 1969, col., so., 41 min.)
- Jack Chambers (Cynthia Scott, CBC ‘Man Alive’ program, 1971, col., so., 52 min(?)
- Life Force (Peter Mellen, 1974, col., so., 26 min.)
- Chambers: Tracks and Gestures (Christopher Lowry and John Walker, 1982, col., so., 57 min.) (DVD Ecotone Productions)