Yin Zizhong

118
Yin Zizhong bigraphy, stories - Chinese musician

Yin Zizhong : biography

1903 – May 10, 1985

Yin Zizhong ( 1903 – May 10, 1985), also transliterated as Che Chung Wan and Wan-Chi Chung and Zheng Zhisheng, was a popular Chinese musician during the New Culture Movement of the 1910s and 1920s in China. He died in Boston, Massachusetts.

Western Classical Music In China

Whereas orchestras organised by, run solely by and nearly always exclusive to the expatriate community in China are recorded from the early days of the International Settlement in Shanghai (i.e. 1850s) and a Russian orchestra was in operation in Harbin from the early 20th century,[6] the beginnings of a unique classical music tradition in China lie with the first foreign trained Chinese conductor, Zheng Zhisheng AKA (romanized) Yin Zizhong. Zheng (Yin or Wan depending on romanization) was raised in China’s Guangdong province and affected by Western Church Music from an early age,[7] studying in Lyons and Paris before returning to China in the 1930s and being employed the first Chinese conductor of a Chinese orchestra – the Chongqing Symphonic Orchestra.[8] Performances were given of Beethoven and Mozart.[8] The revolutionary spirit of Yin Zizhong’s (or romanized Wan-Chi Chung’s) style has been continued by the first generation of composers immediately following the accession of the Chinese Communist Party to power, namely Li Delun and Cao Peng. The former provided the driving force and often the life force that kept a tradition alive through the Mao years, especially in his adopted city of Beijing, and the latter has been instrumental in maintaining a high standard of symphonic music, as well as working hard for the popularization of the tradition further into the fabric of Chinese culture, across his long career, which continues to the present. At the same time as this tradition has continued, new generations have sought to bring classical music in China along another path, away from the strict professionalism of the elite trained Li and Cao (who were both at the Russian conservatory in the 1950s) and towards a less nationalistic, but arguably more encompassing attitude towards the tradition. Most influential in this new movement has been the young Shanghai composer Long Yu.

Career

Yin began performing at age 11. At age 20, he was invited to New Zealand to play, and also played in London, England. He returned to China in the 1930’s and introduced Western Music to China. He has been credited as a major contributor to the creation of a "Guangdong" style of playing the violin in Chinese opera, a method still used today. Some of the works he is known for are "Magnolia Pearl", "Huazhou Hero", and "Overturned the child".

From the 1930s to 1960s, he was also a composer for Hong Kong cinema. He was also an actor for the films "Wealth Is Like a Dream "(1948), "Bitter Sweet" (1936), and "A Blooming Rose" (1935). During this time he was regarded as one of the most popular performers.

In 1952, he stopped being in cinema in Hong Kong, and in 1957, he immigrated to San Francisco and taught music there for 8 years. He was then invited to Boston to teach in the Chinese Music Society. He died on May 10, 1985 in Boston and is currently buried in Forest Hills Cemetery.