William Heinesen

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William Heinesen bigraphy, stories - Faroese writer

William Heinesen : biography

15 January 1900 – 12 March 1991

Andreas William Heinesen (15 January 1900 – 12 March 1991) was a poet, novel writer, short story writer, children’s book writer, composer and painter from the Faroe Islands.

Publications

As he was born and raised before the Faroese language was taught in the schools, he wrote mainly in Danish but his spoken language was Faroese. All his books are later translated into his native Faroese.

He published his first collection of poetry when he was 21. He had three more published before he wrote his first novel Blæsende gry (Stormy Dawn) in 1934. He read every single one of the chapters to the painter Sámal Joensen-Mikines, as he was worried that his Danish wasn’t good enough. That was followed up with Noatún (1938). Noatún has a strong political message – solidarity is the key to a good society. His next book The Black Cauldron (1949) deals with the aftermath of decadent living combined with religious hysteria. In The Lost Musicians (1950) Heinesen leaves the social realism of his earlier works behind, instead giving himself over to straightforward storytelling. Mother Pleiades (1952) is an ode to his imagination. Its subtitle is "a Story From the Beginning of Time".

Heinesen wasn’t content with writing only novels. In the fifties he began writing short stories as well. Most of them have been printed in these three collections entitled The Enchanted light, Gamaliel’s Bewitchment and Cure Against Evil Spirits (1969). In the novel The Good Hope, his main character the Rev. Peder Børresen is based on the historical person Rev. Lucas Debes. When Heinesen was asked how long it had taken to write it, he answered "forty years. But then I did other things in between"

Heinesen’s art on stamps

File:Faroe stamp 309 the temptations of saint antony.jpg|FR 309 of 1997: The Temptations of Saint Anthony. File:Faroe stamp 310 marmennil – the little merman.jpg|FR 310: FR Marmennil – The Little Merman.

Recognition

He was awarded witht the Danish literary prize Holberg Medal in 1960.

He received The Nordic Council’s Literature Prize in 1965 for his novel Det gode håb (The Good Hope), published in 1964. 1965 William Heinesen, The Faroe Islands: Det gode håb (in English) In the story Heinesen had the difficult task of reproducing 17th-century Danish. He succeeded, and won the prize. It is widely considered his best work.

When there were rumours that William Heinesen was about to receive the Nobel Prize for literature in 1981, he wrote to the Swedish Academy and renounced his candidacy. Later he explained why:

The Faroese language was once held in little regard – indeed it was suppressed outright. In spite of this the Faroese language has created a great literature, and it would have been reasonable to give the Nobel Prize to an author who writes in Faroese. If it had been given to me, it would have gone to an author who writes in Danish, and in consequence Faroese efforts to create an independent culture would have been dealt a blow.

He was awarded with the Faroese Literature Prize in 1975.

In 1980 on his 80th birthday Heinesen was appointed "Tórshavn’s Citizen of Honour" by his home town.

In 1980 he received the Danish Critics Prize for Literature (Kritikerprisen). written in Danish by journalist Rasmus Wiin Larsen

In 1984 he received the Children’s Books Prize of Tórshavn City Council (Barnabókaheiðursløn Tórshavnar býráðs) Barnamentanarheiðursløn Tórshavnar býráðs

In 1985 he was awarded the Karen Blixen Medal from the Danish Academy. Karen Blixen Medaljen

In 1987 he was awarded the Swedish Academy Nordic Prize ("little Nobel").

His writing

The Faroese capital Tórshavn is always the centre of Heinesen’s writing. He is famous for having once called Tórshavn "The Navel of the World". His writing focuses on contrasts between darkness and light, between destruction and creativity. Then following is the existential struggle of man to take sides. This is not always easy, however, and the lines between good and bad are not always clearly defined. Furthermore, Heinesen was captivated by the mysterious part of life. He called himself religious in the broadest sense of the word. His life could be described as a struggle against defeatism. One oft-quoted aphorism of his is that "life is not despair, and death shall not rule".