Travis Charest

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Travis Charest bigraphy, stories - Canadian comic artist

Travis Charest : biography

February 2, 1969 –

Travis Charest is a Canadian comic book penciller, inker and painter, known for his work on such books as Darkstars, WildC.A.T.s, Grifter/Shi, WildC.A.T.s/X-Men: The Golden Age and The Metabarons. He has also done extensive cover work for many other books, such as various Star Wars series from Dark Horse Comics.

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Career

Charest became known in the American comic book industry for his work various DC Comics. His first paid assignment was a Flash story in Showcase ’93 #3 (March 1993).Charest, Travis (February 4, 2012). . Travis Charest’s Spacegirl. He later became the regular artist on Darkstars. He also produced cover work for other DC titles such as The Outsiders, Batman, and Detective Comics. After illustrating a 1993 WildC.A.T.s Special called Destiny’s Hand, he illustrated a number of issues of the WildC.A.T.s monthly series beginning in 1994. He became the regular artist of the series with issue #16, illustrating the title during the runs of writers James Robinson and Alan Moore. His last regular issue was #31 (September 1996), though he later returned to illustrate the title’s 50th issue (June 1998).

In 1999, Charest returned to WildC.A.T.s to illustrate five of the first six issues of that title’s second ongoing series, written by Scott Lobdell. He was replaced on the title by Sean Phillips, and later left Wildstorm and Homage for French bande dessinee publisher Humanoïdes Associés.

In April 2000, Charest moved to Paris to work on a Metabarons graphic novel. With plans to paint the entire graphic novel, the progress on the book went much more slowly than Charest had anticipated. Humanoid Publishing selected Serbian artist Zoran Janjetov, who previously worked in the same Alejandro Jodorowsky "Incal" universe on "John Defaul" and "Technopriests", to complete the art chores for the project.Brady, Matt. at Newsarama, June 15, 2007

By 2007 Charest had moved back to the United States, settling in California. Among his works are cover art for David Morrell’s Captain America: The Chosen mini-series. He has also been running the strip Spacegirl on his MSN group. In 2008, a limited edition printed volume hardcover of Spacegirl was self-published by Charest and Big Wow Art, collecting the first 56 strips of the series. at Amazon.com; 2008

Technique and materials

Charest usually prefers not to employ preliminary sketching practices, such as layouts, thumbnails or lightboxing, in part due to impatience, and in part because he enjoys the serendipitous nature in which artwork develops when produced with greater spontaneity. The Official Unofficial Travis Charest Gallery; December 1, 2000; Accessed August 30, 2010 He also prefers to use reference only when rendering objects that require a degree of real-life accuracy, such as guns, vehicles or characters of licensed properties that must resemble actors with whom they are closely identified, as when he illustrated the cover to Star Trek: The Next Generation: Embrace the Wolf in 2000. The Official Unofficial Travis Charest Gallery; December 1, 2000; Accessed August 30, 2010

Charest previously illustrated on regular illustration board provided by publishers, though he disliked the non-photo blue lines printed on them. By 2000, he switched to Crescent board for all his work, because it does not warp when wet, produces sharper illustrations, and is more suitable for framing because it lacks the non-photo blue lines. The Official Unofficial Travis Charest Gallery; December 1, 2000; Accessed August 30, 2010

Charest uses mainly 2H lead to avoid smearing, and sometimes HB lead. For ink wash, he uses Rapidograph ink, and waters it down to three hues in order to achieve light gray, medium and charcoal tones, in addition to straight black. He applies the wash with watercolor brushes of various sizes. To ink linework he uses Rapidographs of all sizes. For color work, Charest uses Aquarelle watercolor pencils and acrylic paint for airbrush work. He also uses white Pelikan ink for additional effects such as highlights, fades and blends. Charest stated in 2000 that while he did not use a computer for his artwork, he would be using one soon, and anticipated they would be a necessity for professional artists.

According to Charest, the time he needs to finish a given page varies, depending on how fast his editor needs it, and what he is being paid, The Official Unofficial Travis Charest Gallery; December 1, 2000; Accessed August 30, 2010 though because he came to prefer producing artwork that takes longer than the norm to complete by the time he left Wildstorm, he no longer finds it feasible to be the regular artist on a monthly series. The Official Unofficial Travis Charest Gallery; December 1, 2000; Accessed August 30, 2010 He points to WildC.A.T.s/X-Men: The Golden Age as an example of a book that took him considerable time (under a year), though he stresses that he finished it on time.

Early life

Charest began drawing at as a child,. The Official Unofficial Travis Charest Gallery; December 1, 2000; Accessed August 30, 2010 and cites Mike Mignola, Adam Hughes and Brian Bolland among his artistic influences, as well as many artists from the early 20th century. The Official Unofficial Travis Charest Gallery. December 1, 2000. Retrieved August 30, 2010