Edna St. Vincent Millay

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Edna St. Vincent Millay bigraphy, stories - American poet

Edna St. Vincent Millay : biography

February 22, 1892 – October 19, 1950

Edna St. Vincent Millay (February 22, 1892 – October 19, 1950) was an American lyrical poet and playwright.Obituary Variety, October 25, 1950. She received the Pulitzer Prize for Poetry in 1923, the third woman to win the award for poetry, and was also known for her feminist activism and her many love affairs. She used the pseudonym Nancy Boyd for her prose work. The poet Richard Wilbur asserted, "She wrote some of the best sonnets of the century."Millay, Edna St. Vincent. Selected Poems. Harper Collins, 1991

Career

Millay’s fame began in 1912 when she entered her poem "Renascence" in a poetry contest in The Lyric Year. The poem was widely considered the best submission and when it was ultimately awarded fourth place, it created a scandal which brought Millay publicity. The first-place winner Orrick Johns was among those who felt that “Renascence” was the best poem, and stated that “the award was as much an embarrassment to me as a triumph." A second-prize winner offered Millay his $250 prize money. In the immediate aftermath of the Lyric Year controversy, wealthy arts patron Caroline B. Dow heard Millay reciting her poetry and playing the piano at the Whitehall Inn in Camden, Maine, and was so impressed that she offered to pay for Millay’s education at Vassar College.

Her 1920 collection A Few Figs From Thistles drew controversy for its novel exploration of female sexuality and feminism.Millay, Edna St. Vincent. In 1919 she wrote the anti-war play Aria da Capo which starred her sister Norma Millay at the Provincetown Playhouse in New York City. Millay won the Pulitzer Prize for Poetry in 1923 for "The Ballad of the Harp-Weaver";Millay, Edna St. Vincent, she was the third woman to win the poetry prize, after Sara Teasdale (1918) and Margaret Widdemer (1919)..

In January 1921, she went to Paris, where she met and befriended the sculptor Thelma Wood.

In 1923 she married 43-year-old Eugen Jan Boissevain (1880–1949), the widower of the labor lawyer and war correspondent Inez Milholland, a political icon Millay had met during her time at Vassar. A self-proclaimed feminist, Boissevain supported her career and took primary care of domestic responsibilities. Both Millay and Boissevain had other lovers throughout their twenty-six-year marriage. For Millay, a significant such relationship was with the poet George Dillon. She met Dillon at one of her readings at the University of Chicago in 1928 where he was a student. Fourteen years her junior, the relationship inspired the sonnets in the collection Fatal Interview (published 1931).

In 1925, Boissevain and Millay bought Steepletop near Austerlitz, New York, which had been a blueberry farm. The couple built a barn (from a Sears Roebuck kit), and then a writing cabin and a tennis court. Millay grew her own vegetables in a small garden. The couple later bought Ragged Island in Casco Bay, Maine, as a summer retreat.

Millay’s reputation was damaged by the poetry she wrote about the Allied war effort during World War II. Merle Rubin noted: "She seems to have caught more flak from the literary critics for supporting democracy than Ezra Pound did for championing fascism." In the New York Times, Millay mourned the Czechoslovak city of Lidice, the site of a Nazi massacre:

 The whole world holds in its arms today The murdered village of Lidice, Like the murdered body of a little child. 

In 1943 Millay was the sixth person and the second woman to be awarded the Frost Medal for her lifetime contribution to American poetry.

Boissevain died in 1949 of lung cancer, and Millay lived alone for the last year of her life.

Early life

Millay was born in Rockland, Maine, to Cora Lounella, a nurse, and Henry Tollman Millay, a schoolteacher who would later become a superintendent of schools. Her middle name derives from St. Vincent’s Hospital in New York, where her uncle’s life had been saved just before her birth. The family’s house was "between the mountains and the sea where baskets of apples and drying herbs on the porch mingled their scents with those of the neighboring pine woods." In 1904, Cora officially divorced Millay’s father for financial irresponsibility, but they had already been separated for some years. Cora and her three daughters, Edna (who called herself "Vincent"), Norma, and Kathleen, moved from town to town, living in poverty. Cora travelled with a trunk full of classic literature, including Shakespeare and Milton, which she read to her children. The family settled in a small house on the property of Cora’s aunt in Camden, Maine, where Millay would write the first of the poems that would bring her literary fame.