Birago Diop

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Birago Diop bigraphy, stories - Senegalese poet, storyteller and diplomat

Birago Diop : biography

December 11, 1906 – November 25, 1989

Birago Diop (December 11, 1906 – November 10, 1989) was a Senegalese poet and story-teller, whose work restored the general interest in African folktales and promoted him into one of the most outstanding African francophone writers. A renowned veterinarian, diplomat and leading voice of the Négritude literary movement, Diop exemplified the "African renaissance man".

Death

Birago Diop died on November 29, 1992 in Dakar at the age of 83, as the husband of Marie-Louise Pradére for many years, and father of two children, Renée and Andrée. His legacy includes the titles of novelist, diplomat, a founder of the Negritude movement and veterinarian. Even now, decades after his death, his stories and poems still remain – sharing his dreams and ideals, whispering the great tales of the African values and culture, never to be forgotten.

List of works

  • Narrative
    • Tales of Amadou Koumba (Les contes d’Amadou Koumba, 1947, tr. 1966)
    • New Tales of Amadou Koumba (Les nouveaux contes d’Amadou Koumba, 1958)
    • Tales and Commentaries (Contes et Lavanes, 1963)
    • Contes d’Awa (1977)
  • Poetry
    • Lures and Glimmers (Leurres et Lueurs, 1960)
  • Drama
    • L’os de Mor Lam (1977)
  • Memoirs
    • La Plume raboutée (1978)
    • A rebrousse-temps (1982)
    • A rebrousse-gens (1985)
    • Du temps de… (1986)
    • Et les yeux pour me dire (1989)

Awards.

  • Grand Prix Littéraire de l’Afrique-Occidentale Francaise
  • Les Contes d’Amadou Koumba
  • Association des Ecrivains d’Expression Francaise de la Mer et de l’Outre Mer
  • Grand Prix Littéraire de l’Afrique Noire
  • For Contes et lavanes
  • Officier de la Légion d’Honneur
  • Chevalier de l’Étoile Noire
  • Chevalier du Mérite Agricole

Career

Although he was mostly recognized for his poems and folktales, Birago Diop also worked as a veterinary surgeon for the French colonial government in several West African countries. Throughout his civil service career in 1934, he collected and reworked Wolof folktales, and also wrote poetry, memoirs, and a play. He also served as the first Senegalese ambassador in Tunisia from 1960 to 1964.

Early literary work

During his time in France as a veterinary student, Diop met numerous African, African-American and Caribbean students, among them Léopold Sédar Senghor, who later to became Senegal’s first president after its independence. Inspired by these young black intellectuals, artists and poets, Diop drafted his earliest poems in L’étudiant noir (the black student)- a student review that established the idea of the Négritude movement which protested against the assimilation theory in favor of African cultural values.

Inspiration

During his work as the head of the government’s cattle-inspection service for several regions in Senegal and Mali, he was introduced to several fascinating tribal folktales, most of which he committed to memory. These served as the main inspiration for much of his literary work. Indeed, most of his poems and tales have their roots in oral African traditions. Generally recited to a group at night by a professional teller, called a griot, folktales were repeated in several different places by the people who heard them. These ceremonies commonly consisted of songs and dances in addition to these folktales. Although the tales served as entertainment, they also had a greater purpose of teaching younger generations about the beliefs and values of their ancestors. Therefore, through his mastery of the French language combined with his experience and fondness for the African cultures, Diop was able to spread the values and beliefs of his ancestors throughout the world.

During and after World War II

In the early 1940s, during World War II, Birago Diop was forced to return to France for two years. Homesick, he began writing down adaptions of folktales as advised by his fellow Negritude writers. The following excerpt illustrating his homesickness can be found in ‘The Humps’: