Alan Sharp : biography
Alan Sharp (January 12, 1934 – February 8, 2013) was a Scottish novelist and screenwriter. He published two novels in the 1960s, and subsequently wrote the screenplays for about twenty films, mostly produced in the United States.
Sharp was raised in Greenock, Scotland, the son of a single mother, and he was adopted at the age of six weeks by Margaret and Joseph Sharp, a shipyard worker. His adoptive parents belonged to a Salvation Army church. Alan left school at 14 to apprentice in the yards, the first of a long series of odd jobs he held prior to his national military service and marriage. Eventually he married four times. He ultimately relocated to London with the intention of becoming a writer. One of his screenplays was broadcast on British television in 1963, and his play A Knight in Tarnished Armour was broadcast in 1965. His first novel, A Green Tree in Gedde, was published in 1965 to acclaim and won the 1967 Scottish Arts Council Award. It was the first part of a proposed trilogy, and Sharp published the second novel, The Wind Shifts, in 1967. The third novel, which had the working title The Apple Pickers, No free online access. This obituary claims that Sharp’s unfinished novel was titled "Don’t Cry, It’s Only a Picture Show. was left incomplete when Sharp emigrated to Hollywood and focused on screenwriting.
In the 1970s, six of Sharp’s screenplays became high-profile Hollywood feature films, most of them dealing with quintessentially American themes and characters. Walter Chaw writes of Sharp’s screenplays from this period, "On the strength of his scripts for The Hired Hand, Ulzana’s Raid, and Night Moves, Scottish novelist Alan Sharp seems well at home with the better-known, more highly-regarded writers and directors of the New American Cinema. Sharp’s screenplays are marked by a narrative complexity and situations gravid with implication and doom." Trevor Johnston had written recently, "There’s an argument to suggest that a certain seventysomething Scot could well be Britain’s greatest living screenwriter. Much is made of pre-Star Wars ’70s Hollywood as a kind of celluloid golden age, and Alan Sharp was there in the thick of it, working with the very best, generating the sort of track record few British screenwriters are likely to match." Trevor Johnston is a film critic for Time Out London. His article is a detailed appreciation of Sharp’s adaptation of Lord Dunsany’s 1936 novella, My Talks with Dean Spanley, for the film Dean Spanley (2008).
David N. Meyer has incorporated an appreciation of Sharp’s writing in his review of Night Moves (directed by Arthur Penn-1975). Following a description of an important seduction scene from the film, Meyer adds: "These delicious, poisonous moments – these cookies full of arsenic – come courtesy of Alan Sharp’s venomous, entrapping, perfectly circular screenplay. It’s hard not to regard him – rather than Penn – as the engine of Night Moves’ enduring power. Sharp had an unbroken forty year career writing features and television."
Since the 1980s, most of Sharp’s screenplays had been for American television productions. His 1993 television screenplay (with Walter Klenhard) for The Last Hit was nominated for the Edgar Allan Poe Award (best TV feature or miniseries).Search at His feature film projects included The Osterman Weekend (Sam Peckinpah’s swan song-1982), Rob Roy (1995), and Dean Spanley (2008). Quentin Curtis called the screenplay for Rob Roy "one of the best screenplays in the last decade".
The actress Rudi Davies is the daughter of Sharp and novelist Beryl Bainbridge, who used Sharp as the inspiration for the main character in the novel Sweet William (1975). Sharp was also the inspiration for a character in one of Brian Pendreigh’s short stories.
A second daughter, Rachel Minnie Sharp, also briefly an actress, was married to Luke Perry. Sharp is survived by his fourth wife, Harriet Sharp, and a total of six children, two stepsons and 14 grandchildren.