A. M. Klein

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A. M. Klein : biography

14 February 1909 – 20 August 1972

Belatedly, in 1940, Klein’s first monograph, Hath Not a Jew, was published in the United States. Although the book sold poorly, many of its poems would later become standard selections in anthologies of Canadian literature and posthumous collections of Klein’s work.

Literary maturity and prominence

During the Second World War, Klein published two more books, Poems and The Hitleriad, both in 1944. Poems developed ideas forecast in Hath Not a Jew but also reflected Klein’s anxieties over current events and the plight of Jews in the wake of the Holocaust. Poems such as "Polish Village," "Meditation Upon Survival," and "Elegy" were thoroughly contemporary accounts of persecution and suffering with which Klein, despite his relative safety in Canada, deeply sympathized. The Hitleriad was a very different work, a mock epic written in a satricial style reminiscent of Alexander Pope in such works as The Dunciad. In it, Klein attempted to satirize Adolf Hitler and his Nazi cohorts, although later critics often noted that the inescapable bitterness of the subject caused Klein’s humorous intentions to run awry.

Klein’s greatest achievement as a poet came in 1948 with the publication of The Rocking Chair and Other Poems. The book earned Klein a Governor General’s Award in poetry and sold in numbers far exceeding the norm for a book of Canadian poetry. The success of the book owed much to Klein’s new-found focus on domestic Canadian subjects, particularly the culture of French Canada, which Klein, fluent in French and sympathetic to their minority status in North America, understood better than most English-Canadian writers of his day. Along with the oft-anthologized title poem, "The Rocking Chair," a poem that uses the chair in a rural Quebec house as a synecdoche of French-Canadian heritage, the book included such poems as "Lookout: Mont Royal," "Grain Elevator," and "The Cripples," all of which showed Klein at the height of his creative powers and survived long after as lyrical encapsulations of specific aspects and locations of Montreal. A lengthy elegy at the end of the book, "Portrait of the Poet as Landscape," reflected Klein’s indignation at the general indifference of the Canadian public to its own literature.

Klein’s mission to Israel in 1949 on behalf of The Canadian Jewish Chronicle inspired his last major work and only complete novel, The Second Scroll. Taking cues equally from James Joyce, the Torah and Talmud, and the events of recent history, Klein structured his novel as a series of five chapters, from Genesis to Deuteronomy, each of which corresponds to one of the five books of the Pentateuch. The story’s narrator, an unnamed character based loosely on Klein himself, goes in search of his long-lost uncle, Melech Davidson, a Holocaust survivor who drifts to Rome and then Casablanca before immigrating to Israel. Just as the narrator is about to catch up to his mercurial uncle, Davidson is murdered by a group of Arabs, leaving the end of the novel open as to whether Davidson was a martyr to the Jewish nation or a false Messiah whose heroic status was inflated by his nephew’s eagerness to meet his elusive uncle. Following the main narrative of The Second Scroll is a series of numbered glosses that add further commentary to the narrative in the form of poems, a liturgy, a playlet, and, most notably, a meditative essay on the ceiling of the Sistine Chapel painted by Michelangelo. Although The Second Scroll was not a commercial success in its first edition from Knopf in New York, a subsequent re-print in Canada’s New Canadian Library ensured its survival as one of the significant works of modern Canadian literature.

Klein as a public figure

Aside from his writing, Klein was also an important member of the Montreal Jewish community during his lifetime. By profession he was a lawyer, and spent many years as a consultant and speech writer for Samuel Bronfman, owner of the Seagram distillery. He was editor of the Canadian Jewish Chronicle from 1932 until 1955, a periodical to which he also contributed articles on such subjects as the rise of Nazism in Germany, the social position of Jews in Canada, and the founding of the state of Israel in 1948. Klein was a Zionist but his enthusiasm for the new Jewish state was tempered by a critical eye for political realities. This ambivalence toward Israel is best expressed in The Second Scroll, which he wrote after a fact-finding journey to Israel in 1949 and published two years later. Also in 1949, Klein ran unsuccessfully for the Canadian Parliament as a member of the Co-operative Commonwealth Federation. Increasing mental illness in the following years led to a suicide attempt and hospitalisation in 1952. In 1956, he was awarded the Lorne Pierce Medal by the Royal Society of Canada, but by then he had lapsed into the mysterious silence that saw him give up writing altogether and become a recluse in his home in Montreal’s Outremont district, until his death in 1972.